Sunday, July 3, 2011

Almost Got 'Em



In the dank and smoke-filled Stacked Deck Club in the grimiest neighborhood in Gotham City, a special table is set in the back. Though the establishment's usual patronage is almost exclusively men of shady backgrounds and ill-repute, not even the toughest, most hardened of them venture near. At the sound of cards shuffling, tapping against the table, and being doled out for a poker game of questionable legality, the patrons try to avert their eyes and pretend they're not paying any attention. Truth be told, they could not be more terrified. For at that table, five of the world's deadliest criminals have gathered to tell each other a tale.

Poison Ivy. Two-Face. Killer Croc. The Penguin. The Joker. As the cards fly and the night grows thick, thicker than the cigar smoke heavy in the air, one-by-one they tell a story. A story about how once, they came close to taking home the biggest prize of them all. Victory was so close, their fingers practically closing around it, the taste of it on their lips, before it was maddeningly pulled away. This is the night they tell each other the story of how they came so close, so tantalizingly close, to finally killing Batman before he grasped triumph from the jaws of defeat. This is the night they talk about how they almost got 'im.

As the other three watch Poison Ivy enter, the Joker stares through the television and into your soul.

Almost Got 'Im was one of the most highly critically acclaimed episodes of the even more critically acclaimed Batman: The Animated Series. One of the few episodes to feature almost every major character (Catwoman, Detective Bullock, Commissioner Gordon, and Harley Quinn also guest-star), it shows the story of being beaten by Batman from the viewpoint of the villains, and throws in a few good twists involving the Dark Knight himself.

So what does this have to do with video games?

It's the inspiration for the series I'm going to be posting here. As I mentioned in my last post about Shin Megami Tensei: Nocturne, there is a plethora of games I've played and given up on. Some of them, however, I came so close to the end of that it makes almost no sense as to why I stopped without beating them. I reached a point where the final boss was arm's reach away and then . . . nothing. And I'd never play the game again.

That's why, in the weeks and months to come, I will dig up every single one of these abandoned titles and play them again, from scratch in most cases, and get through them all the way. I've already done one, which I'll talk about now, and then give you the list of the rest of the cases where I left a game right on the verge of finishing.

Replace the girl with a copy of Xenogears and you get the idea.

This is the story of the games that got away.

This is how I almost got 'em.

Friday, June 24, 2011

Final Fantasy Superfriends

When I first heard the rumblings of Square-Enix creating a fighting game based on Final Fantasy, I thought someone was playing a joke.  Even when factual evidence of this game's existence and development came to light, I was still skeptical:  I figured that yet again, this was another episode of "Wouldn't it be cool IF" where the company was once again showcasing the power of all the cool things they could do with the Playstation 3, much like when they teased us with that tech demo of Final Fantasy VII years ago.

Assholes.

However, as time went on, I soon discovered that Dissidia:  Final Fantasy was eventually going to be a very real thing in our world.  Even more surprisingly (given the quality of the screenshots) it was going to be on the PSP.  When these facts began to slowly sink in, I became fearful.  Why, you ask?

Need I say more?

The last time Square-Enix attempted something remotely resembling a Final Fantasy fighting game, it produced interesting results, to say in the least.  Ehrgeiz was not a bad game, per se, it was just a faux Final Fantasy fighting game.  The original game, developed by the creators of Tobal No.1 and published by Namco included a cameo by Cloud and Tifa.  When Square ported the game over to the Playstation, additional characters (Yuffie, Vincent, and most notably, Sephiroth) were added in.  These characters had no impact on the story, despite so many of them being there.  They oddly felt out of place, as if they were just copied and pasted in:

Like this.
While Ehrgeiz was not a terrible game, it was nevertheless a forgettable one.  Thus understandably, I was a little skeptical of Dissidia.  In spite of the stellar graphics, as to be expected of any Square-Enix game, my cynical gaze viewed it as another sad attempt to milk the Final Fantasy franchise for all that it was worth.

After spending time playing through this game, however, I was pleasantly surprised.  While Dissidia is filled with its share of flaws and has a somewhat laughable story, it manages to combine fighter and RPG elements to create an experience that, while likely not winning it game of the year status, nevertheless manages to create a *fun* experience that will offer fans of the Final Fantasy series hours of distraction.


Wednesday, June 8, 2011

Backlog Begins: Nocturne



Since this is The Backlog, where we discuss playing the games we never had the time or inclination to before, it seems only appropriate that every now and then those problems resurface and bear discussing. After all, this blog is nothing if not a venue for the pursuit of discovery and intellectualism, where you'll find only the tip-top of class and sophistication.

Man, when are they gonna get to Sephiroth's theme?

Several weeks ago, I sat down to play Shin Megami Tensei: Nocturne, the first offering of the SMT series for the PS2. In the time since then, I've made it somewhere around, and this is just estimating, a fifth of the way through. I've had more than enough time to make it further, I just . . . haven't.

But that's how this whole thing gets started. That's why I've got more than a dozen games I've played, some of them extensively, but still have no idea how they end. You get into a game, you even like the game, but when it comes down to it the distractions which pile up and take you away from it just prove too great to overcome. No matter how fun something is, if you find yourself having to put it down and then try to get back into it again a few days later, over and over again, sooner or later you're going to stop trying.

This isn't the fault of the game. Nocturne is actually very engaging as JRPGs go. It's challenging, like all of the SMT games I've played so far, and with much more freedom to roam than the Persona series allows. The characters have been developed enough thus far that I'm genuinely curious to see where everyone ends up. It's got me wanting more, but things keep coming up, and each setback seems to put me further and further away from the finish line.

It's just . . . it's so FAR.


So what this post is really about, though I will discuss the game, is how a backlog begins.


Sunday, May 8, 2011

Unlimited Frustration.


Before I begin by saying anything else, I want you to watch the following clip:



Did you take a good look?  Seriously?  What you just witnessed was an absolutely gorgeous opening to a PS2 game.  From the opening, I hope you realized the quality of art, the diverse characters, the lush and breathtaking scenery, and frightful foes to overcome.  When you first place Unlimited SaGa for the PS2 into your system, this video is the first thing that greets you.  Based on the video alone, one is promised an adventure of epic proportions and intrigue (Seven Destinies!  Seven Wonders!  Unraveling the mysteries of the world!).   My experience with Unlimited SaGa certainly gave me many of those things.  The graphics push the limits of the PS2.  The musical score, like many SaGa games previous, is diverse and memorable.  The quests certainly are diverse and intriguing.

However, Unlimited SaGa also gave me a few other things:  Anger, sleepless nights, and pleas from dear friends to just put the game down and walk away.  At more than a few points, the trio of friends who had to suffer through listening to me play through the game (Nick, the Enabler, and David) came very close to staging an intervention.  Fortunately, I finished the game before it finished me.

Let me state this clearly:  Unlimited Saga is undoubtedly one of the most frustrating experiences on the PS2 you will ever come across.  A convoluted game system, obscure mechanics, an over-reliance on chance, and a disjointed, abrupt narrative prevent the game from being realized as a shining gem in the PS2's library.  Although it is a rewarding game for those who can figure it out, attempting to figure out the game is the challenge in itself.

Read on if you dare:  After all, misery loves company

Friday, May 6, 2011

Odyssey in the Truest Sense: Etrian Odyssey


A funny thing happened on the way to the Nocturne.

I haven't forgotten about the reader poll which voted Shin Megami Tensei: Nocturne the next game for me to remove from my Backlog. It's just that since that poll went up, several things have happened which stymied my progress. A few were legitimate - planning out my second anniversary, preparing for an upcoming move - a few others - replaying Tales of the Abyss, watching every episode of House starting from Season One - maybe less so.

But I have to find out if it's lupus.

However, just because I wasn't playing the games I wanted to play doesn't mean there wasn't some backlogging going on. Following Ayn's post on the concept of Bridge Games it felt only appropriate to bring up this little-title-that-could which has been kicking around in my DS for the past few months.

Like most of my handheld games, this one alternated between sitting idle on my shelf or idle in the DS itself. Unlike the others, there was a little more story to how I obtained it than "saw it on the shelf, bought it on a whim." Late last year, a member of the  BlueGartr community with a veritable warehouse of video games to choose from decided he wanted a little extra spending money. So from his great throne, he deigned to let a few of us mere collectors bid on items from the vast trove in his personal arcade.

An arcade which actually exists and has this painting in it.
I ended up getting about a dozen games from him, but when I ordered the first two Etrian Odyssey games, he told me that his assistant - because he owns so many games he needs an assistant to keep track of them - had already sold off one of them. No big deal, I figured, since my local GameStop had the one he had sold. I told him to just switch my order for another game on his list, only to find out he'd made a mistake - the one I'd just bought was the one he still had available, the other was the one he'd just shipped out. Well, now I was determined. Three GameStops later and one 18-mile walk later, I'd gotten my hands on the original Etrian Odyssey.

I went through a lot worse to get Luminous Arc.


Monday, May 2, 2011

Bridge Games


 David and I have been on a bit of a hiatus, we realize.  It's the time of year where things become incredibly busy at work for both of us.  Of course, between that, we've actually been playing (and remarkably, finishing) games so that we have something to write about here, instead of relying solely on our sharp wit and use of images to wow and distract you.



In this post, however, I'd like to talk about the concept of bridge games.  Unlike the introductory picture, I don't mean the type of bridge played by your grandmother (mine, personally, is partial to gambling and other games of chance), but those games that you play between games.

I know, the concept sounds a little absurd at first.  Here at the backlog, however, where much of what we have to complete consists of long RPGs, or involved platformers, we've come to appreciate them.  You see, bridge games are those which you aren't under any pressure to finish.  They are the games where it's more about the journey, rather than the destination.

Sadly, few games are actually about Journey.

Again, I realize that sounds ridiculous as well, since that idea is what should encompass gaming in general.  However, in an oversaturated market where adult gamers often have more games than time to enjoy them, picking a title which to put your focus on can be a bit of a task.  Looking at your entire backlog can be a bit overwhelming, if your task is to finish everything on that list, particularly if you have an RPG-heavy library like me and David.

Bridge games also serve as a nice distraction if you get stuck with a particular game, or need something to break the monotony of a title.  It's a nice, mindless distraction through which you can give your brain sometime to relax after being unable to finish a particularly hard battle, or are frustrated with a particular puzzle.  Fighting games are usually a nice choice for this, although some people may prefer an RPG that they already finished, and choose to go through at a slower pace the second time around.  While expressing my love-hate relationship of Disgaea to the Enabler once, she acknowledged it as a bridge game of sorts.  For her, it's fun in small spurts:  Pop the game in, do a little grinding here and there, then set it aside for awhile.  When approached from that angle, Disgaea is a good choice.

I, however, need a little more than exploding penguins on some days.  Thus my bridge game of choice has been Naruto: Ultimate Ninja Storm 2.

Because watching Itachi curb stomp Sasuke never gets old.




When I'm not by a console and look to my portable offerings, the new Dissidia (a post about the first one will be forthcoming) is my bridge game of choice.

Because watching Jecht be a family man never gets old.

Both of these games do have their respective quest and story modes which are chock full of unlockables.  Certainly, it's possible to finish these games.  The sheer amount of content ensures me that there will be plenty to do.  The lightness of the quest mode does not make it intimidating to pick them back up should I choose to continue.  The presence of other gameplay modes (which is admittedly where Dissidia Duodecim wins) provide a welcome distraction.  Really, there's no rush with completing everything in these games.  It's simply nice to pop in the game for a bit, do a few fights to have some feeling of progression, then go back to the game that's my current focus for completion.

Perhaps as my backlog whittles down (hey, I can dream), I'll have less of a need for bridge games and will instead be able to immerse myself more in the gameplay experience of the remaining contenders. 
But for now, games like these provide a nice venue for me to continue using my leisure time as it's intended, rather than setting aside a game and making myself go back to working more than I already do.


To our readers:  We're curious -- what are your bridge games of choice, if any?