Thursday, December 30, 2010

Devil May Cry 3 - Devil May BLOW YOUR MIND

All is forgiven.

When I bought Devil May Cry 3 a few months ago, it was because I decided that since I already owned (and hadn't played) Devil May Cry 2, I might as well go ahead and get the whole series.  Now, I had been warned of the audacious failure of the second entry and that I should skip it and go to the third, but that's not how I operate.  I'm a firm believer in the idea of going through an entire series and experiencing the narrative as a whole, regardless of how some parts may differ in quality.

Though there are some exceptions.
Fair warning before you get started - I've got a lot to say about this game, so if you're game to continue, click on the jump and let's get the party started.

Tuesday, November 23, 2010

Final Fantasy Crystal Chronicles: The Crystal Bearers

Let me first start off by saying that Final Fantasy Crystal Chronicles: The Crystal Bearers is not a Final Fantasy game, nor is it an RPG, nor is it a Crystal Chronicles game. If you go into this expecting an RPG or an action-RPG experience there's a very good chance you're going to be let down. Simply put, Crystal Bearers is an action adventure game set in the Crystal Chronicles universe, with gameplay closer to Zelda than anything else you've come to expect from Square. That said, if you go into Crystal Bearers with an open mind there's a very good chance you will have a truly unique and amazing experience.

Thursday, November 18, 2010

The Backlog Will Not End With You

Let's be clear here: I like Nintendo, but I'm not a fan of gimmicky console features, no matter how innovative they are. For example, while the Wii-mote is a cool idea, it's not my cup of tea to play games that rely solely on it. I took back Zelda: The Twilight Princess because back then, I worked in the nonprofit sector and the last thing I wanted to do after a grueling day of working for the betterment of a small section of humanity was swing around a controller to mimic Link swinging his sword: I much preferred to be in an unsociable vegetative state and play my games in mindless bliss:

Yeah. Sort of like this.

My feelings regarding the Nintendo DS are similar: Cool idea, but similarly frustrating to play games that rely fully on its gimmick - the stylus. In this case, the full reliance on this gimmick made me take back Ninja Gaiden: Dragon Sword shortly after I realized it was a stylus exclusive game. I'm a huge fan of the series, but the games are already renowned for their difficulty. Console-based Ninja Gaiden games already move people to destroy their systems. Somehow, I don't think hammering your game screen repeatedly with a blunt object on one of the most frustrating series known to gamerkind is a great idea.

To a person with a stylus, Ninja Gaiden: Dragon Sword looks like a nail.

But I digress.

The game this post discusses is The World Ends With You, one of Square-Enix's earlier DS entries. If you know anything about the gameplay, then given what I previously said it should be no surprise that I was not interested initially. A stylus-reliant action-RPG that makes use of both screens at the same time? No thanks -- it sounded like an aneurysm ready to happen. Thus I passed on this title, despite the insistence of my good friend (who I shall affectionately refer to as "Canadian Wench")

As it turns out, however, I had cheated myself out of quite an experience.

Some months ago, a dear friend of mine (I shall only refer to her as "The Enabler") succeeded where Canadian wench failed. The Enabler, whose backlog rivals (and perhaps surpasses) that of David's and my own, assured me that this was a worthy purchase. The fact that The Enabler had actually managed to finish this game added strength to her argument. If this was a game that could jump ahead of other quality titles in a backlog, then it was certainly one worth checking out.

As it turns out, she was right (and yes, you too, by extension, Canadian Wench).

Plot Overview

TWEWY begins with the protaganist, Neku Sakuraba, waking up in the middle of Shibuya. Disoriented, with no memory of what has happened to him, or even much of his past beyond his name, Neku soon learns that he's somehow been swept into the Reaper's high-stakes game with a foreboding warning: Survive for 7 days, complete the objectives laid out before you, or face erasure. Not exactly the most welcoming way to begin a week.

Subtlety is not a Reaper strong point.

To survive the Reaper game, Neku needs a few things: His wits, the power of mysterious pins, and the aid of a partner. Fortunately, Neku seems to be one of the smarter people in the game, so #1 is covered. On top of this, he's revealed to be some sort of natural expert with the pins, which grant powers such as pyrokinesis, telekinesis, control over ice, and various other nifty powers. Think of them like pogs, but on crack, and with the power to fling cars at people you hate. Base #2 is easily covered right there.

Sadly, none of the pins let you summon Alf.

The partner thing, however, becomes problematic. Neku is told repeatedly that survival in Shibuya requires reliance on, and trusting your partner. Unfortunately, Neku's something of an emotionally distant prick, which makes bonding just a bit difficult: Think of him as Squall, but with headphones. Compounding this problem is the fact that he does not exactly have the most appealing selection of partners.

First, there's Shiki Misaki, who's quite possibly Shibuya's neediest woman.

You knew she was going to be trouble the second you saw the hat.

Then there's Yoshiya Kiriyu (aka Joshua), who is likely Shibuya's biggest jackass.

He's a popped collar away from being the *world's* biggest jackass.

Then there's Beat, who is undoubtedly the biggest idiot in Shibuya.

Brash, brave, and brainless.

Yeah. It's going to be a long 7 days for Neku.

I won't ruin anything for you (though if you've seen Shibuya 15, supposedly this game borrows some from that plot), but I will say that this plot is certainly one of the most intriguing ones I've played through in quite some time. The characters generally have decent developments, the cast of villains is rather colorful, and there's even a robust enough post game that manages to add to the story without being overly cumbersome.


On first glance, the gameplay can be quite confusing. You're essentially controlling two characters at the same time, relying totally on the stylus for the actions of your main character, and paying attention to action occurring on both screens. If nothing else, the game certainly makes full use of the DS's functionality.

Now, the stylus controls all of Neku's actions (who is on the bottom screen): His movement, the use of his psychic powers, item use, and defensive recovery. The directional pad is utilized to control Neku's current partner (depending on who it is, the command sequence changes). If enough correct command sequences are entered, Neku and his partner can utilize a team attack. Suffice to say, it's quite overwhelming at first:

This is typically an initial reaction to the game.

In fact, Jared and I had a conversation about the game, where he noted that sure, for us, it was seizure inducing. For Japanese kids, however, the hypersensitive reflexes required to play the game to complete mastery was second nature:

This is their Sesame Street.

It's certainly a system that takes some getting used to, as there's a tremendous amount of variety in Neku's psychs: Some require you to tap or drag the stylus against an object to fling it. Others require you to tap Neku, slash across an enemy, or tap an empty space repeatedly. Yet somehow, it works: Once you have it down, you're treated to a fast paced combat system that makes battles a pleasure for the most part, rather than a chore.

In addition to combat, there are a few other intricacies in the system worth noting: Stat increases come via consuming food. It takes a certain number of battles before the food is digested, resulting in an increase of attack, defense, hit points, or bravery (the stat that lets you equip better gear). While you can only consume a limited number of meals per day, this is easily bypassed by resetting or changing the DS clock.

Your pins are also not a static entity: They can evolve into more powerful (and rarely, less powerful) pins through experience (dubbed "Pin Points") gained through combat, through shutting down your DS and leaving it off for a few days (this too can be exploited by the DS clock trick) or "mingle PP" which makes use of the wireless function. I'm sure the last was a hit in Japan, but in the U.S. it likely fell short (see also: Dragon Quest IX).

Furthermore, there is the system of "trends" -- Shibuya itself is constantly changing and influenced by trends. Most of your pins have a certain brand attached to it, as well as the armor you equip your characters with. The more often you fight with these items equipped, the higher it goes on the brand chart for a particular area. In most cases this results in an increase (or decrease, depending on the popularity) in potency for your pins. On occasion, you'll need a certain brand to be at the top of the chart to advance in a particular area. I'll admit that this had the potential to be annoying, but thankfully there was only one point in the game where it was absolutely vital (as in, not related to the main quest) to get past a certain point.

Even shopping for items has a system attached to it: Buying more items from particular shopkeepers increases your reputation with them. As this increases, you can unlock more merchandise, and additional info about special stats your items offer.

As you can see, the game has a lot going on. As an experience overall, however, does it have a lot going for it?

The Overall Experience

I mentioned earlier that I had cheated myself out of an experience by ignoring this game for so long: As a complete package, I rather enjoyed TWEWY. Some points in particular:

The characters: The dialogue between characters in this game is absolutely fantastic. By himself, Neku does not start off as a particularly likable character, but his snippy remarks to other characters do elicit a chuckle. Each of the different partnerships Neku establishes during his time in Shibuya have a different dynamic: The growing bond of friendship between him and Shiki, the banter between him and Joshua, and his surprising patience with Beat's silly antics make advancing the story a pleasure.

The battle system: While seizure-inducing at first, the battle system becomes extremely engrossing. With so many different options for pins and combat, plus the added dimension of the partner, I found myself turning on my DS for quick spurts just to play a few battles. If I found them getting too easy? The difficulty's adjustable, making for more of a challenge should I need it.

The story: Since I hadn't seen Shibuya 15 prior to playing this game, the story came across as pretty unique to me. There's enough suspense early on to keep you playing in order to find out more. There are notable plot twists all throughout the game -- even up until the grand finale. Even the post game has a parallel story that makes light of the characters.

The music: This game has one of the most uniquely addicting soundtracks I've heard in a game. I won't waste space here trying to describe the feel of the music (I'm just horrid when it comes to that), but go on YouTube and listen to a few tracks. Then go on iTunes and download the soundtrack -- trust me, it'll be worth your time.

In truth, very little about the game bugged me, but a few points I'd have to nitpick?

Villain development: Herein lies the tricky part -- while Neku and his friends are rather well developed, the villains in this game did not feel quite as fleshed out. This is truly a shame, as there are some pretty interesting characters in the cast: Admittedly, the "Game Master" for the first part of the game is rather flat in personality, but then you advance later in the game where you run across the second GM, Sho Minamito:

He's like a math teacher from hell.

Admittedly, Sho is probably one of the better developed villains. While you get enough dialogue to get some insight into the other antagonists (such as Kariya and Uzuki), it just feels like so much more could have been done with them.

Stylus controls: The game did not take as much getting used to as I thought it would have. However, when it comes to designing your pin deck, you do need to be careful about which ones you select. Certain pins will have overlapping commands (for example, equipping two pins that require you to slash at an enemy) -- you may intend to use one pin's function, but end up using another pin inadvertently: While this may not be a pain in fodder fights, it can become a bit annoying at higher difficulty levels, or during boss fights.

In the end, however, my experience with this game was positive overall. In truth, it's hard to consider this game in the traditional sense of "Backlogged titles": While there were points where I put this game down to play a game on one of my actual consoles, and there were times where it actually did leave the DS, I always kept coming back to it. In fact, I ended up finishing it within 4 months or so of purchase.

..Alright, considering the length of the game, that's not an impressive feat.

But for fellow backloggers out there, I'm sure you can relate: Any game that leaves the backlog in the same year it comes in is certainly a title worth playing. If you haven't purchased this game, don't let the stylus reliance put you off. If you have purchased the game and it's sitting in a forgotten corner of your pile of games? Don't delay your gratification any longer.

As we're fond of saying here at the backlog: Until then, keep playing.

Tuesday, November 16, 2010

Devil May Cry 2 - Devil May Let You Down

As I detailed previously, by the end of the original Devil May Cry I was quite enamored with the game.  Overcoming my initial struggle with the difficulty barrier became an achievement rather than an arduous task, and I reveled in each new victory.  I had heard Devil May Cry 2 was inferior to the first, but I was expecting at least more of the same challenge regarding regular gameplay.

I was let down, to say the least.

Devil May Cry 2 is the game that started my DMC collection.  I found it at GameStop on sale and decided to pick it up, with the expectation that I'd be able to find and purchase the first one at some point.  It's a good thing I waited, because if this had been my first experience with the series I may have never wanted to pursue it further.  Anyway, DMC2 sat on my shelf unplayed for years as I continually passed over the first part of Dante's adventure.  One day, however, I found Devil May Cry 3, also at GameStop, and for about $10 less than what I had purchased its precursor for at what I considered a bargain.  With two of the three in my possession, I finally dedicated a little effort to my search and found a non-Greatest Hits copy of the original.  I don't have many hang-ups about where I'll buy games, but my one caveat is that I won't buy anything not in the original case.


My purchasing quirks aside, after Devil May Cry I was excited to pop in the sequel and discover what new challenges it had to offer me.

The answer was none.
The landscape of Devil May Cry 2 challenges.

In thinking about exactly how this game failed to live up to its predecessor, I was reminded of a song which could better describe the situation.  This song makes use of a number of promises of what it will never do, all of which Devil May Cry 2 ignores.  Watch it, and then I'll explain.

The black guy is Ayn.

How it Gave Me Up

The game didn't really give me up, but it did give up on me.  Did Capcom receive too many complaints about how difficult the first one was and decide to just take out everything hard?  Nowhere in Devil May Cry 2 did I feel challenged in the same way as the original.  There were certainly points where I thought "this is harder than other points in the game," but none of those points could hold a candle to the harder parts of the first Devil May Cry.

If you take too long to kill him, he just dies on his own.

Now, I know Devil May Cry made me a better video game player.  The fact that I could even beat it shows that I improved drastically from the time I started playing it to the time I made Mundus suck down a face full of devil-powered bullets.  I got better because the game wasn't about to let me win if I didn't - it wanted me to improve.  Devil May Cry 2 gives its players none of that same credit.  The enemies are weaker, slower, and easier to kill.  The first game didn't make me that good.

 How it Let Me Down

Visually, DMC2 makes the sort of advancements over the original that you would hope to see.  The levels are larger (though not necessarily in a positive way - more on this later), the graphics are sleeker, and the controls are easier.  One-button dodging and the new ability to run up walls and double jump from the start add a nice level of intuitive control Dante that the first game definitely lacked.  That is, until you want to search for something, and end up running up the wall five times before Dante finally looks at it, but that's probably more my issue than anything.

Where it let me down is that it takes such effort to expand upon the environments of the first and then does absolutely nothing to make me care.  In the first game, there were essentially only three bosses before the last fight; Phantom, Griffon, and Nelo Angelo.  They each have a few cutscenes where Dante demonstrates what a badass he is by taunting these demonic foes before mixing it up with them.  As stunted and lacking as the story in Devil May Cry was, at least they made you care a little bit about your enemies.

I invited him to my bar mitzvah, I hope he accepts.

In Devil May Cry 2, the first boss emerges from a building in a great cutscene, stretching out glass and cement until this gargantuan ghoul bursts free, composed of the building itself, and starts shooting bats, fire, and lasers all over Dante.  The fight was disappointingly easy, following the "run away and shoot if it gets hard" strategy that everything in this game falls prey to, but that wasn't my problem.  My issue was that with this epic boss reveal, better than anything they gave us in the first, Dante never says anything, the boss never says anything, and when it's over, that's the end of it.  He never comes back.  He was there just to be an impressive-looking foe for Dante to steamroll over.

Not a noteworthy sight in Dante's life.

This game let me down because in everything I hated about it, I kept seeing the glimmer of vastly more potential which is never realized.

How It Ran Around

It gave ME the run around.  Like I said above, the stages of the game are greatly improved over the original in terms of size and scope.    They took the haunted castle premise of the first game and made it an entire city, an idea that is, I believe, completely without precedent.

So they give you this big expanded world and then they just . . . don't let you do anything in it.  You can't revisit old areas.  Large sections get blocked off specifically to prevent you from backtracking.  They include Secret Rooms you can stumble upon, the equivalent of DMCs Secret Missions - only totally not.  Whereas the first one gave you interesting and challenging requirements to fulfill, the Secret Rooms are just you standing in a square room and killing enemies until a door out appears.

Capcom spent a lot of time making sure Devil May Cry 2 was aesthetically superior to the original, and then concentrated the rest of the design on making sure you were always running straight forward like it was a 2D platformer.
Early concept art for DMC2.

How it Deserted Me

The final estimation of this game is that the creators of Devil May Cry 2 just flat out abandoned their fanbase.  I hear that Devil May Cry 3 is the best of the series, better than the first one and the allegedly also well-done 4th entry.  Maybe they were working on that and shoved this out so we'd have something to fill the gap in between 1 and 3.  This game feels like they just pumped out a quick sequel with marginal improvements to the controls and cashed in.  At this point, I've put more thought and effort into writing this review of my experience with the game than I did actually playing it.

There were parts of the game where I had fun.  There were parts I found challenging.  There were glimmers here and there of a really great game in the making.  It kept stringing me along with its promise and then deserting me after getting me to play along.

An issue not helped by hiring these guys as the lead design team.
Devil May Cry was a lot of things, and it evoked a lot of emotion in me while I was playing it.  Whether I loved it, hated it, or was somewhere in between, it never left me bored.  I honestly considered just leaving this one on the backlog several times before just cowboying up and beating it.  And by cowboying up, I mean making myself stand the game for more than 30 minutes, because after I sat down and got to it, I went from mission 6 to the end in one playthrough, not dying once until the end.

I think that's the same definition he used.

So now this one is gone and beaten, never to return again.  I won't even get into how atrocious the story is - let's just leave it at that I beat it and now it's over.

I'll be taking on Devil May Cry 3 next, and really hoping it lives up to everything I've heard about it.  In any event, this game is dead to me, and I'm glad its dead.  The only thing that makes me regretful is that Capcom dragged out its tortuous demise in such a brutal, sadistic faction before finally finishing it off.

Until next time, keep playing.

Saturday, November 6, 2010

Alan Wake

I originally started this article trying to explain why I like survival horror games so much, but to call Alan Wake a survival horror game is something of a disservice. Yes, it shares some similar characteristics to games in that genre (which I will expand upon later) but right on the cover beneath the title it says "A Psychological Action Thriller," which is really about as apt of a description as any. And as a psychological action thriller it largely succeeds, with sleek gameplay and a phenomenal immersive story that will have you thinking about it for weeks after the credits roll.

Sunday, October 31, 2010

Devil May Cry - Or Just Really Piss You Off

I began playing Devil May Cry almost as soon as I beat Final Fantasy XII.  That was almost three weeks ago.  So what's the deal?  Did it take me 100 hours to beat the game?  No, by the time I hit the final save I was at just under 7 and a half, which means if you count continues I probably put 9, maybe 10 hours into the whole thing.  I can see how people could easily run through the entire game in 3 or 4.

The problem was that I'd play for about 20 minutes at a time, get frustrated, and quit.  A few days later I'd suck it up and come back.

This is known as the Ross Perot method.
Initially, I genuinely hated this game.  It seemed to me it was way too hard, way too cheap, and way too difficult to control.  Coming off of my last action game experience, God of War III, this seemed amateurish by comparison.  When I got stuck on the first fight against Phantom, I was ready to just call this one not worth it and give up.

Then, the game made me angry.

At which point it grew considerably less fond of me.
In some paroxysm of mouth-frothing fury and insane determination, my brain clicked into "ruthless slaughter" mode.  A few minutes later, Phantom was dissolving into a puddle of molten rock and scorpion goo.  And I liked it.  I liked it a lot.  I've played plenty of video games and fought some pretty challenging fights, but the formula Devil May Cry has worked out makes them just hard enough without being impossible to give a rush of achievement after you butcher the big bad guys.  That initial surge kept me going until the next time I got stuck.  The pattern began to repeat itself until the fits of anger were gone, replaced by a cold, steely-eyed calculation.  Sure, I'd still swear and shake my controller, but when I tried again after a loss I'd come back and react faster, anticipate more, aim more precisely. 

It was impossible to deny what was happening.  By relentlessly tormenting me, Devil May Cry was making me a better game player.

This philosophy is not without precedent.
It was after this realization that I sat down to really think about what the pros and cons of this game are. 

Sunday, October 24, 2010

Bayonetta - With Practice, Pure Poetry

Generally speaking I am not a fighting game fan. I can certainly see the appeal, the memorization of button sequences or combos that eventually become reflex, and turn combat from a button mashing affair into something that is almost poetic when played at its full potential. For me, the whole idea of learning move sets is akin to learning a foreign language, as something I'm interested in but find altogether too daunting. One could argue that the "stylish action" games are essentially fighting games in a 3D space, with games like Devil May Cry having just as much complexity as Tekken or Street Fighter.

So it came as no surprise that I let Bayonetta's release pass unmarked. From the previews and articles leading up to the game's release it was clear that this was going to be just another skill-based stylish action game, as the game was marketing towards the DMC set as the next big thing. Sure, the videos looked amazing and the combos were incredible to watch in preview videos, but the thought of what I would have to do to reach that level of expertise loomed too great in my mind, and I moved on to other things.

Sometime this summer Gamefly had a sale on used games, offering a number of titles for less than 20 bucks. I saw Bayonetta for $15 smackeroos (and Bioshock 2 for $17!) and decided to give it a whirl. I knew it was going to be good, but I was apprehensive about whether or not I'd be able to get through it, or it was destined to sit atop my piles of unfinished games as another title that I enjoyed but couldn't bring myself to finish.

Around 7 days later I had around 30 hours in Bayonetta and a newfound appreciation for the genre. Bayonetta is, simply put, an incredible action game that does so many things right that it's easy to overlook its faults. As a general rule I don't like to spend full price on new games but I am sorry that I waited as long as I did to play it, and now that I have I am almost afraid to play other games in the genre in fear that they may not measure up.

Sunday, October 17, 2010

Remake of a Remake - Riviera: The Promised Land

Expect a post on Capcom's Devil May Cry from me soon. I want to make it a little further in the game before writing up my thoughts on it, but rest assured I do have plenty to say about Dante's adventures, and not all of it good.

While I'm plodding through that, however, I decided to delve into my handheld collection to help pass the time at work. My PSP library being less than 10 games deep, I figured now was as good a time as any to start whittling away at it, and I began my endeavor with Riviera: The Promised Land. This little jewel was originally a GameBoy Advance title by developer Sting, ported over to the PSP with the help of the good folks at Atlus.

They should probably just change their name to "Niche."

I picked this one up right after taking the LSAT in June.  It was a grueling test, and when I got out of the exam room I felt I needed to reward myself somehow.  Fortunately, there was a GameStop on the way home, and I stopped in to find this on the shelves.  It was an impulse buy; the artwork on the cover looked good, I recognized the company that published it, and it was an RPG.  That was enough for me.  Unfortunately, being the impulse buy it was, it was destined to sit on the shelf while I occupied myself with Pokemon: HeartGold  By the time I'd gotten bored with that, Riviera's existence had been all but forgotten.  Until I decided to bring my PSP to work with me one day, and this was the lucky title I popped in.

Let me say right off the bat that I have kind of fallen in love with this game. It's a charming little classic RPG with some distinct characteristics that make it unique. The sprites are colorful and the in-game animation well done, giving it a very vibrant feel which makes the game easy to get into. Stylized animation and voice acting for every line give the impression of playing through an anime.  What really shocked me, however, was the first 90 seconds of the initial tutorial battle of the game.  I was paralyzed with inaction while I tried to figure out how I was supposed to move closer to the monster so I could hit it.  That's right - after Final Fantasy XII, Arc the Lad, Devil May Cry, Monster Hunter, and all the other games I've played recently, I forgot how classic turn-based RPGs work.

Completely beyond me.

In my first attempt to play this game, my PSP died on me about fifteen minutes in.  This was actually my faithful handheld system looking out for me, as I hadn't yet saved my game and thus had to start over from the beginning - giving me the opportunity to switch the language voiceovers from English to Japanese.  Take my advice if you pick this one up and do the same - don't even play around with the English, the voice work on this one shows about as much effort as a fat guy who can't find the remote.  He doesn't want to watch The Home Shopping Network, but dammit, the TV is all the way across the room and he's not walking all the way over there.  

Although getting right down to it, the Japanese voices aren't much better, just more tolerable because (unless you speak Japanese) you can't understand enough to realize how much they're phoning it in.  Anyway.
You play as Ein (or Ecthel, in the original Japanese), a Grim Angel of Asgard.  It's the job of the Grim Angels to get rid of the demons which plague the Golden Realm, because apparently Thor can't be bothered for something so trivial as the coming of Ragnarok.

"Look man, whatever."
Accompanied by fellow Grim Angel Ledah and his talking cat, Rose, Ein sets out to rid Asgard of demons by destroying Riviera, which the demons are reported to have taken over.  Occasionally, a veiled guy in black robes named Hector shows up to remind them their job is to slaughter everything.  It was around this time that I got the impression these Asgardians might not be on the up-and-up.

So before long, Ein and Ledah encounter a mysterious woman with great power who speaks in the Asgardian language.  She tries to stop you from entering Riviera, but you beat the monster she summons only to find that she herself is untouchable.  Ein is struck with some kind of magic whammy, and the next thing he knows he's waking up in the house of two girls he's never seen before, with no recollection of who he is or how he got there.  Whether this all actually happened or the entire first chapter is supposed to be some kind of metaphor for the lead designer's bachelor party is anyone's guess, but this is where the story really begins.

Leading cause of magical adventures.

Ein finds himself in Riviera, brought there by the mysterious woman, who turns out to be a powerful entity named Ursula.  Specifically, he's in the town of Elendria, which is populated almost exclusively by anthropomorphic girls I'd imagine cater to the target audience of the game, including a cat-girl, a mermaid, and a harpy.  

Damn that's hot.

The two girls, Fia and Lina, want to investigate another area they've lost touch with since the demons invaded their land, but the village elder forbids it.  So after a few sequences, you're recruited to help the two clandestinely get where they want to go and help protect Riviera from demons.  Wait a second, wasn't Ein supposed to be destroying Riviera to protect Asgard from demons?  Holy Conflict of Interests, what's gonna happen now?  In the middle of all this, we get some scenes of Ledah moving into Riviera, being reminded that he's by himself now since his worthless companion is gone, and so he's got to butcher enough people for two now.  What follows is Ein going on quests throughout the various regions of Riviera, moving ever closer towards that confrontation with his old life.  The game isn't a tension-builder, but it certainly makes you want to know what happens next.

Now let's get into gameplay.  While I wouldn't go so far as to call it unique, Riviera combines several aspects I've seen in other games to create an experience for playing all its own.  Each screen constitutes a different section of a map, and several sections add up to create an area.  You can move through sections as much as you want, but once you move to a new area you can not revisit the old one unless the storyline takes you back through it.  New sections are often marked with either dialogue between the characters, an enemy encounter, or both.

In combat, you square off against the monsters by pre-selecting four items before the battle starts.  Here's where it gets interesting.  Each character has potential to gain skill in an item, at a rate of one point for each use.  If they reach the maximum amount of points possible, they gain access to a new OverSkill attack.  OverSkills range from level 1 to 3, and are executed by using a charge in a meter which rises every time you get attacked or attack someone else.  The entire party shares one meter, so you have to put forethought into whose skill you're going to use.

Tentacle Rod is exactly as terrifying as it sounds.
Now, after learning these skills, the character gets a stat boost, so it's to your advantage to let them learn as many as possible.  Fortunately, Riviera includes Practice Mode.  Items all come with a set number of times you can use them, and all the battles in the game are pre-planned, meaning there will never be a random encounter.  With Practice Mode, you're allowed to revisit earlier fights and use your items with impunity without fear of them running out.  You can also get rewards based on your performance and obtain new items to learn skills from.  You can enter Practice as many times as you like, giving you ample opportunity to whip the characters into shape.  

Preferable to other options.
Furthermore, in the regular storyline fights, you get ranked for your performance on a scale of D through S.  S-rankings net you better items, including ones you can gain skills off of, so it's in your best interests to fight hard.  Items aren't the only reason, either - almost every section of a map lets you investigate objects on the screen, but it will cost one Turn Point, or TP, to do so.  The only way to gain more TP?  Get high ranks in battle.  Performing well throughout an entire chapter of the story will also gain you bonus TP to carry over into the next one.  If you run out, no investigating for you, and you miss out on potential hidden scenes, items, or battles.

I like the system, though this has presented some frustrating moments where I know I can get a good item if I S-Rank a battle, and can't get beyond A or B.  Since you can only save in-between areas, getting caught up in grabbing the best loot can lead to some anger-filled resetting.  However, that case is the exception rather than the rule this time, since it's made clear early in the game that there's no way to get everything the first time through, and more items will become available on subsequent playthroughs.  This has led to me actually being able to enjoy the game a lot more, knowing that if I can't get something now, I can always come back around again.

At present I've reached the halfway point in the game, playing it mostly during the slow hours at work. Thus far Riviera has given me no reason to stop, and I can easily see taking this one off the backlog in the next week or so.  Also, since it's played primarily at work, it doesn't interfere with my uphill march against my PS2 backlog at home.  It was a nice exercise in time management for me, and I think in the future you'll be able to look forward to more handheld games being written on.  

Anyway, I'm at work now, so I better get back to the game.